Lisa Marie Presley Net Worth

Lisa Marie Presley Net Worth

Lisa Marie Presley's Net Worth is 300 million

2003

On April 8, 2003, Presley discharged her presentation collection, To Whom It May Concern. It came to No. 5 on the Billboard 200 collections graph and was ensured gold in June 2003. Presley composed every one of the verses (aside from “The Road Between”, which was co-composed with Gus Black) and co-composed each song. To advance it, she exhibited a show in the UK. The collection’s first single, “Lights Out”, came to No. 18 on the Billboard Hot Adult Top 40 diagram and No. 16 on the UK outlines. Presley worked together with Billy Corgan of the Smashing Pumpkins for a co-composed track called “Deliverer”, which was incorporated as the B-side. Los Angeles Times pundit Robert Hilburn checked on Presley’s presentation collection. He stated, “The music on her new collection has a stark, uncompromising tone” and “Presley’s gutsy blues-edged voice has an unmistakable pizazz.”

2005

Her second collection, discharged April 5, 2005, Now What, came to No. 9 on the Billboard 200 collections diagram. Presley co-composed 10 melodies and recorded fronts of Don Henley’s “Grimy Laundry” (the collection’s first single, which hit No. 36 on the Billboard 100 AC singles diagram), and the Ramones’ “Here Today and Gone Tomorrow”. The tune “Nitwit” is a poke towards various men throughout her life. Not at all like her first collection, Now What incorporated a Parental Advisory sticker. Presley covers Blue Öyster Cult’s “Burnin’ for You” as a B-side. Pink shows up on the track “Sparkle”.

2012

Her third collection, Storm and Grace, was discharged on May 15, 2012. She stated: “It’s a great deal to a greater extent a rootsy record, natural record, than my past work.” It is created by Oscar and Grammy victor T Bone Burnett. Allmusic offered this view: “On her initial two collections, Lisa Marie Presley needed to be a pop star with a distinction; on Storm and Grace, she obviously would rather be a craftsman, and if she’s as yet working her melodic deficiencies out of her framework, this is a more grounded, more develop, and more viable work than one may have anticipated. About ten years into a recording vocation she might possibly have needed, Presley is at last building up a melodic identity that genuinely suits her. Spinner.com watched: “Presley has made the most grounded collection of her vocation in the up and coming Storm and Grace. It’s an ill humored perfect work of art, investigating the evil presences and holy messengers of her life to the tune of nation spiced downbeat pop.”

Amusement Weekly commended the “smoky, spooky” single “You Ain’t Seen Nothing Yet”.